The effort to develop, finance and produce a documentary of just one hour involves, at least, one year of work by a team, as well as the financial funds to carry it out. I often receive projects with an eventual universal possibilities but raised in a local way and therefore, waste an enormous potential to travel.
Following the screening of my latest documentary at the Peloponnesus documentary film festival, I was asked if I could give a master class to the audience of this festival. Thinking about it, it was difficult for me to specify a topic in which I felt expert. Although I direct and produce documentary artisans for a decade, I do not consider myself a specialist in anything in particular. This is how I decided to focus precisely on an artisan way of understanding cinema.